In 2016, Patrick Sandford performed an autobiographical play about paedophilic abuse. Last year, it was reimagined as a film 鈥?shot inside a primary school with Sandford as its solitary lead 鈥?that is now available online from Soho theatre.The still-taboo subject of abuse has begun to be tackled in recent years with powerful works such as Hanya Yanagiharas Booker-shortlisted novel A Little Life and Steppenwolfs acclaimed theatre production Downstate.聽What is different in Sandfords work is that <a href=https://www.stanleymug.us>stanley cup</a> he dramatises the inner states of both the abused and abuser. The former study is far more emotionally penetrating. We meet Paddy as a nine-year-old when he is first molested by a teacher and we follow him into adulthood. Sandford flits inside the head of the teacher to present his side and back again over the course of this lean, hypnotic 50-minute production.The duality holds us with its horror and honesty. This is storytelling of a high order. Dir <a href=https://www.stanley-cup.it>stanley italia</a> ected by Nancy Meckler, Sandfords monologue has an extraordinary incremental pow <a href=https://www.stanleycup.com.se>stanley sverige</a> er and eloquence.聽He re-enacts the first instances of abuse with little movement and barely any props except for a pen and chair. He invites us to imagine what happened, holding the chair in lieu of the child while the pen becomes the teacher: Its the 1960s. I am a teacher, he says, sitting behind a desk and as he speaks, the camera tilts downwards, placing us at Paddys height.聽Small-scale, poetic observation from Paddys perspective stands in for the graphic de Qkbh To avoid blazes like Bolton s, we must radically overhaul student housing
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